Photo Gallery: Hitler's Hobby - DER SPIEGEL
Zum Inhalt springen

Photo Gallery Hitler's Hobby

The "Linz Collection," Hitler's private stash of paintings and sculpture, has been re-assembled, virtually, in an online database by the German Historical Museum. Most of the art works were scattered after World War II.
1 / 7

Hitler's taste ran to traditional pieces and Romantic fantasy -- he hated anything critical and modern. Carl Spitzweg, a German romanticist from Munich, has 45 paintings in the collection. "The Butterfly Catcher" dates from 1840.

Foto: Leihgabe der Bundesrepublik Deutschland / Fotoarchiv BADV
2 / 7

Marketplace in Pirna, c. 1754 by Bernardo Canaletto. The collection was intended to seed a big "Führermuseum" in Linz, Austria, after World War II.

Foto: Fotoarchiv BADV
3 / 7

A full 4,731 pieces in the Linz Collection were photographed and catalogued by the Allies after World War II. This painting shows Christ at the house of Simon the Pharisee, painted in 1516 by Pieter Coecke van Aelst.

Foto: Leihgabe der Bundesrepublik Deutschland / Fotoarchiv BADV
4 / 7

Pieces were sent back to their home countries wherever possible. But the Allied catalog didn't include many important details -- sometimes not even the name of the artist. This portrait of Falstaff was painted in 1906 by Eduard Grützner.

Foto: Leihgabe der Bundesrepublik Deutschland / Fotoarchiv BADV
5 / 7

Reassembling the catalog and the true provenance of each piece of art has been painstaking work. This portrait of a woman (the artist's wife), is from 1878/1928, by Franz von Stuck.

Foto: Leihgabe der Bundesrepublik Deutschland / Fotoarchiv BADV
6 / 7

Many of the paintings now in possession of the German government still have an unknown provenance -- though fewer pieces in Hitler's collection are considered by experts to be stolen than in most Nazi collections. "Gregor and Domitilla," c. 1602, by Peter Paul Rubens.

Foto: Leihgabe der Bundesrepublik Deutschland / Fotoarchiv BADV
7 / 7

Researchers at the German Historical Museum hope making the archive public will help them fill in historical gaps. Woman with hat, 1855/1884, by Hans Makart.

Foto: Leihgabe der Bundesrepublik Deutschland / Fotoarchiv BADV
Dieser Beitrag stammt aus dem SPIEGEL-Archiv. Warum ist das wichtig?